Ming Meets Morris Meets Macropod – A Peabody Essex Museum Collection piece

The outstanding works by ceramicist Stephen Bowers continue to gain the interest by international collections. Ming Meets Morris Meets Macropod is a recent acquisition by the Peabody Essex Museum, Massachusetts, USA.

Ming Meets Morris Meets Macropod 2018 jigger jolley, white earthenware, underglaze color, clear glaze, on-glaze, ‘distressed’  burnished antique gold, 2.5 x 35.7 cm.

Against a back ground of lobed reserves, a Sulphur-crested Cockatoo ( Cacatua galleria) perches, holding in its beak a length of blue twisted string from which the bird is dangling a decorative bow arrangement The cockatoo references classic natural history (bird) illustration, being derived from, and paying homage to, the work of W T Cooper . The decorative yellow bow is sourced from Meyer’s Hand book of Ornament.

The reserve above the bird’s raised crest is filled with Honeysuckle, a wallpaper design first registered by William Morris in 1883. The bird perches on another reserve depicting a fragment of fabric design (also called Honeysuckle) by William Morris 1874 (sample in the Birmingham Museum). Behind the chest of the cockatoo is a reserve decorated with Eucalyptus corymbosa (Bloodwood) from botanical illustrations in A Research on The Eucalyptus and their Essential Oils by Richard T Baker and Henry G Smith, Technological Museum of New South Wales, Sydney 1920.

Finally, the large lobed circular fragment to the left of the cockatoo comprises a blue and white paneled border with elements in a central circular in-fill. The border and foliage details are based closely on Ming kraakwares held in the collection of the PEM Salem, in particular a porcelain Charger, 1573 – 1619, 3.3 ins (8.4 cms) X 20.7 ins (52.6 cms) dia. Museum purchase 1994. E84059. The paneled sections of the outer border contain motifs typical of the period including auspicious Buddhist regalia and symbols. The central circular reserve incorporates a rendering of the 1773 George Stubb’s Kangaroo – the first clear depiction of this Australian marsupial macropod.

For details about available works by Stephen Bowers, please view our stockroom or contact the Gallery.

 

ZHOU Xiaoping Videos

For those who were not able to attend our recent opening (or those who wish to relive it) a video is now available to view. We were delighted that Senator The Hon Mitch Fifield, Minister for Communications and Minister for the Arts, was able to officiate the proceedings and speak with such feeling about ZHOU Xiaoping’s artwork. You may also like to listen to the artist explain more about his emotional journey over the past 30 years and how he came to paint such fascinating works that combine his Chinese artistic training; his experience of Western culture, living in Melbourne and his immersion in Australian indigenous culture, gained through personal friendships and his travels to country.

Clicking here will take you to the exhibition page with the video links.

Zhou Xiaoping, Lauraine Diggins & Mitch Fifield
Zhou Xiaoping, Lauraine Diggins & Mitch Fifield

CELEBRATE AUSTRALIAN WOMEN ARTISTS

International Women’s Day sites, IWD “is a global day celebrating the social, economic, cultural and political achievements of women. The day also marks a call to action for accelerating gender parity.

IWD has been observed since the early 1900’s”. In the period between the wars in particular, Australian women artists were leading the way by challenging traditions and exploring new ideas in art with a focus on colour, form and design, and subjects such as urban culture.

Role models like Jane Price, Jane Sutherland and Clara Southern had provided women with a basis to seriously pursue art as a profession. Circumstances and opportunity saw a flourishing of female artists establish a career through dedicated studies at a growing number of art schools, combined with travel overseas and, quite often, financial independence.

Read more of this essay and view images from the exhibition AUSTRALIAN WOMEN BETWEEN THE WARS
It doesn’t stop there, view the images on our latest Facebook post of the Gallery’s contemporary women artists who have also made exceptional achievements.

ZHOU XIAOPING Opening Saturday 3rd March

ZHOU Xiaoping : The Cross Cultural Influences of Chinese and Indigenous Art opens at Lauraine Diggins Fine Art this Saturday 3rd March with official proceedings by Senator The Hon Mitch Fifield, Minister for the Arts.

ZHOU Xiaoping has created a unique artistic style incorporating his training in traditional Chinese classic painting with his experiences of indigenous Australia – its landscape, people and art – generating a new aesthetic and telling his story through his cross-cultural paintings and ceramics.

We are excited to present this exhibition showing the development of Zhou’s intriguing art over the last decade or so. Arriving in Australia in 1988, Zhou travelled extensively throughout Arnhem Land and the Kimberley which had a profound impact on his art practice. The friendships he made led to collaborations with significant indigenous artists including Jimmy Pike and Johnny Bulunbulun. Zhou’s latest paintings continue his exploration of the themes of art, culture and exchange with their multi-layering  of Chinese, Western and indigenous perspectives, meaning and narrative.

To preview the exhibition and download the catalogue with essay by Professor Alison Inglis please click here.

 

Aboriginal Art at The Met, New York

Currently on show at The Metropolitan Museum of Art in New York is On Country: Australian Aboriginal Art from the Kaplan-Levi Gift, citing paintings by leading indigenous artists in a contemporary global context. The exhibition includes large-scale paintings by Kathleen Petyarre; Dorothy Napangardi; Abie Loy Kemarre; Doreen Reid Nakamarra and Gunybi Ganambarr.

To find out more, click here

and to read a review click here

In the News – Emily Kam Kngwarray

We are delighted to see Earth’s Creation and Wildflower Dreaming: Dry Season, exhibited in our 1998 exhibition titled EARTH’S CREATION by Emily Kam Kngwarray, receiving attention.
These paintings have been featured in todays Financial Review newspaper. Earth’s Creation is due to be auctioned by Fine Art Bourse tonight.
Financial Review article: http://bit.ly/2yKI5Ui
Fine Art Bourse F.A.B. : https://fineartbourse.com
EMILY KAME KNGWARRAY  c.1910 – 1996
Earth’s Creation  1994
synthetic polymer paint on linen (4 panels)
275 x 632 cm
EMILY KAME KNGWARRAY  c.1910 – 1996
Wildflower Dreaming: Dry Season   1995
synthetic polymer on linen
240 x 600 cm 6 panels 203 x 120 cm each

LDFA at The Melbourne Fair

Lauraine Diggins Fine Art is exhibiting at this year’s Melbourne Fair at Caulfield Racecourse from
23 -26 November 2017 with over 50 dealers specialising in Art, Books, Collectibles, Decorative Objects, Furniture, Jewellery, Vintage Fashion and Couture.

The Melbourne Fair 23-26 Nov 2017
The Melbourne Fair 23-26 Nov 2017 at Caulfield Racecourse www.themelbournefair.com.au

Opening Night Thursday 23 November 6pm – 9pm

Friday 24 and Saturday 25 November 11am – 6pm

Sunday 26 November 11am – 5pm

Single Day ticket $15 (conc. $10 and children under 16 free); Opening Night $30

 

Robert Clinch: Art Prize Finalist & showing at Motorclassica 13-15 October

Earlier this year we unveiled the Goggomobil D’art Project, a commissioned project by Jeff Brown which saw Robert Clinch’s signature paper darts painted across the entire surface of a classic Goggomobil Dart sportscar. If you missed seeing this amazing car at Lauraine Diggins Fine Art, it will be a part of Motorclassica this weekend at the Royal Exhibition Building in Carlton (13 – 15 October 2017).

We would also like to congratulate Robert Clinch who has been selected as a finalist in a series of works on paper art awards including :

the Banyule Award for Works on Paper showing 5 Oct to 2 Dec 2017 at Hatch Contemporary Arts Space, Ivanhoe

the Lyn McCrea Memorial Drawing Prize at Noosa Regional Gallery showing 20 Oct – 26 Nov 2017

The Eutick Memorial Still Life Award showing 10 Nov – 9 Dec 2017 at Project Contemporary Art Space, Wollongong

A series of ‘Dart’ artworks are currently available at LDFA. Whilst inspired by the Goggomobil D’art Project the paintings and drawings of darts encompass their own narratives, with characteristic whimsical titles.

To view Robert’s paintings and lithographs please click here.

Robert Clinch Mother 2017
Robert Clinch Mother 2017 automotive paint and two-pack on etch-primed aluminium 56 x 45 cm signed lower right

Congratulations to Geneiveve Kemarr Loy – Paddington Art Prize Finalist

Congratulations to Genevieve Kemarr Loy who is a finalist in the Paddington Art Prize for 2017. This is the 14th year the prize for paintings inspired by the Australian landscape will be shown. Genevieve’s painting Akwerlkerrmwerlkerr  2017 (synthetic polymer on linen, 200 x 122 cm) depicts a particular plant which grows in her country which has small white flowers and seeds which the bush turkey likes to eat. Genevieve’s painting is inspired by the culture, stories, flora and fauna of her country, Utopia, N.T.

The Paddington Art Prize showing at 111-113 Queen Street Woollahara NSW 13 – 22 October 2017

Following our recent exhibition The Next Generation featuring the paintings of two young indigenous women, Lorraine Kabbindi White and Genevieve Kemarr Loy, a selection of Genevieve’s paintings are currently on show at Lauraine Diggins Fine Art.

Listen to a video of Genevieve discussing her work by clicking here.