Masters of the drawn line feature at exhibition

Nora Heysen and Constance Stokes: Drawings from the Estates

in The Australian Financial Review, Thursday 7th July 2016 by Peter Fish.

FinReview_HeysenStokes July2016

Masters of the drawn line feature at exhibition

by Peter Fish, The Australian Financial Review Thursday 7 July 2016 p. 14

Two acclaimed artists, Nora Heysen and Constance Stokes, are featured at an exhibition at the long-established Lauraine Diggins Fine Art in Melbourne’s north Caulfield.

Both women are acclaimed for their control of their drawn line, Ms Diggins says.

“Drawings are so often undervalued, and this exhibition provides the opportunity for both new and established collectors to acquire work by revered Australian artists at extremely affordable prices,” she says.

Among the offering are Stokes’ Jewish Woman in Costume, 1974, in red ink and pastel on paper, and Black Stockings, 1968 in blue ink and watercolour on paper, priced at $4250 and $3750 respectively.

There is also Heysen’s Vivien, New Guinea 1954-55 in conte crayon on paper and Seated Male with Leg on Stool circa 1956 in pencil on paper, at $2500 and $2750 respectively.

The exhibition was opened on May 21 by Associate Professor Alison Inglis from the University of Melbourne in the presence of Connie Stokes’ daughter, Lucilla Wyborn d’Abrera and Nora Heysen’s niece Stephanie Griffiths.

Patchwork, ironic, serious and kitsch: the best of the Archibald finalists by Joanna Mendelssohn

Read Joanna Mendelssohn’s article from The Conversation about the 2016 Archibald including Michael McWilliams’ The Usurpers (Self Portrait).

“The Tasmanian artist Michael McWilliams’ The usurpers (self portrait) is a magically elaborate study in a similar mode to that of the Italian Renaissance artist Giuseppe Arcimboldo. Every element is an import to Australia. Sheep, cattle, pigeons, carp, trout, rabbits, rats, mice, fruit and grain, all combine to form the artist’s face.

The usurpers hangs at the entrance to the exhibition, a long way from the winner’s circle, but it is probably the painting that most visitors will remember.”

Patchwork, ironic, serious and kitsch: the best of the Archibald finalists

Congratulations Michael McWilliams Archibald Finalist

Congratulations to Michael McWilliams who is a finalist in the 2016 Archibald Prize showing at the Art Gallery of New South Wales 16 July – 9 October 2016.

His painting, The Usurper (Self-Portrait) synthetic polymer on linen, 200 x 160 cm is an environmental statement about the relationship between humankind and the earth, in particular the effect of introduced species and their seizure of power over native flora and fauna, an ongoing theme in McWilliams’ oeuvre.

Scotchman’s Hill Wine Offer

The association of art and wine is one that has a long tradition both internationally and within Australia, and it may not come as a surprise that Lauraine Diggins Fine Art has a strong working relationship with the prominent winery Scotchmans Hill, located on the Bellarine Peninsula.Through this association, we are pleased to offer the following opportunity.

An End of Financial Year Sale on a select range of wines for friends of Shareholders and Staff of Scotchmans Hill.

Enjoy a 25% discount off wholesale prices from our Scotchmans Hill, Cornelius, Swan Bay and Ferryman brands.  This offer is available only until  30 June 2016 and must be paid for at the time of ordering. 

All prices quoted on the attached order form include a 25% discount off the wholesale rate, and are inclusive of GST.

 The winery will arrange delivery anywhere is Australia and the fee is  $10.00 for delivery. 

It is possible to order mixed cases however, these must be collected from the winery.

To request a form please contact the Gallery ausart@diggins.com.au or download below and return form to lyndel@scotchmans.com.au

Scotchman’s Hill Wine End of Financial Year Offer.

A Closer Look at…Nora Heysen AM & Constance Stokes: Drawings from the Estates

Lauraine Diggins Fine Art invites you to take Closer Look At... Nora Heysen AM and Constance Stokes: Drawings from the Estates.

This exhibition allows an intimate view of each artist through over 80 drawings sourced from family archives, from student days and throughout their working careers. These works give us an insight into each artist – their working practices, their thoughts, their development, their interests. Drawing provides an immediacy, expressing much through a simple line on a blank page. To read further, please download our Closer Look At... essay here.

We were delighted that Associate Professor Alison Inglis was able to open this exhibition and provide us with such insightful and educational remarks and we wish to especially thank Lucilla Wyborn d’Abrera, daughter of Constance Stokes, and Stephanie Griffiths, niece of Nora Heysen for sharing their experiences.

Please also view the video of the exhibition opening video here.

A fully illustrated colour catalogue is available to download here, or alternatively contact the Gallery to obtain a copy.

Nora Heysen and Constance Stokes:
Drawings from the Estates
has been extended and is now showing until 2 July 2016.

Exhibition Opening Sat 21st May

Nora Heysen and Constance Stokes: Drawings from the Estate opens on Saturday 21st May at 2pm. Join us as Associate Professor Alison Inglis officially opens the exhibition and engages with a family representative for each artist.

The exhibition features over 80 drawings selected from the estates of these celebrated artists and includes academic life drawings; sensuous nudes; portraits of fellow artists; sensitive portraits of Pacific Islanders and a series of genre subjects.

Preview the exhibition here and download the illustrated catalogue with essay by Catherine Speck, Professor of Art History, University of Adelaide here.

The Aesthetics of Mended Ceramics

The Aesthetics of Mended Ceramics is an  article discussing current exhibition RE-Reanimate, Repair, Mend and Meld initially exhibited at the New York Ceramics & Glass Fair. The concept of reduce, reuse & recycle has become a contemporary focus within society, being a central theme of this exhibition, artists have recreated damaged objects. Gallery artist Stephen Bowers features in this article, using faux surfaces and floating fragmentation of objects, amongst other techniques within his work. Stephen Bowers will be showing his 4th solo exhibition with us later this year.

View The Aesthetics of Mended Ceramics article here

 

Elizabeth Kunoth Kngwarray – Highly Commended at Alice Prize 2016

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The announcement of the 39th Alice Prize on Friday 15 Apri 2016l, saw Elizabeth Kunoth Kngwarray awarded a Highly Commended for her painting Yam Seeds and Flowers. The judge Chris Saines CNZM, Director of the Queensland Art Gallery & Gallery of Modern Art, reported as follows:

Elizabeth Kunoth Kngwarray’s Yam Seeds and Flowers is an account of her Bush Yam story, caught in an infinite number of marks that seem almost magnetically organised across the painting’s field. She creates a subtle and dynamic sense of shift across the surface of her painting, evocative of the wind passing over and through the low-lying yam plants at ground level. – Chris Saines CNZM

The 39th Alice Prize is showing at Araluen Arts Centre, Alice Springs until 13th June 2016.

Congratulations to Elizabeth Kunoth Kngwarray & Genevieve Kemarr Loy

Congratulations to Elizabeth Kunoth Kngwarray and Genevieve Kemarr Loy who have been named as finalists in the 39th Alice Prize. They are amongst 69 finalists selected from over 400 entries. The exhibition will be showing at Araluen Arts Centre Alice Springs from 16 April – 13 June 2016. Elizabeth’s painting Yam Seeds and Flowers  highlights her beautiful use of colour with a series of delicate flicks across the canvas. Genevieve’s painting has evolved from her father’s (Cowboy Loy Pwerl) story related to the Bush Turkey. To view works currently available by these artists please select their name from the Aboriginal Artwork section of our website.

ELIZABETH KUNOTH KNGWARRAY 1961-

ELIZABETH KUNOTH KNGWARRAY 1961-
Yam Seeds and Flowers 2015
synthetic polymer on linen
200 x 120 cm

Region: North Eastern Central Australia
Residence: Iylenty, Utopia
Country: Atnangkere
Language: Anmatyerr

Genevieve Loy

GENEVIEVE  KEMARR  LOY  1982-
Bush Turkey Tracks  2015
synthetic polymer on linen
200 x 120 cm

Region: North Eastern Central Australia
Residence: Iylenty, Utopia
Language: Anmatyerr

 

 

Michael McWilliams – Finalist in the Glover Prize & Winner of Children’s Choice 2016

We congratulate Michael McWilliams who has again been named a finalist in the Glover Prize and awarded the Children’s Choice Award 2016. It is the tenth time Michael has been selected in the competition to judge the best  contemporary Tasmanian landscape painting, which he won back in 2004, the inaugural year of the prize. Michael has also been awarded the People’s Choice in 2015, 2014, 2012 and the Children’s Choice in 2013 and an Honourable Mention in 2008 and 2006.

This year Michael has painted Portrait of a Landscape in the tradition of the witty and scientific fluency of the renaissance artist Guiseppe Arcimboldo. As ever with Michael’s oeuvre, the viewer is rewarded by looking closely to discover the serious environmental message beyond the gentle humour.

We look forward to working with Michael towards an exhibition in 2018.